Fast Five Review

In “Fast Five”, Director Justin Lin and a cast spanning the last five Fast and Furious movies combine to bring us the best film in the series.

Director: Justin Lin
Writers: Chris Morgan, Gary Scott Thompson (characters)
Stars: Vin Diesel, Paul Walker and Dwayne Johnson
Runtime: 130 min
Blu-ray Time: Fall 2011 (waiting)
Release Date: 29 April 2011 (USA)
Also Known As: Fast & Furious 5

In the very first sequence of Fast Five, former federal officer Brian O’Conner (Paul Walker) slams on the brakes of his muscle car, and a bus slams into it at an angle. If you are a fan of physics — or just happen to live on this planet — you can guess what should happen. If you guessed that the muscle car would be obliterated, welcome to the human race. If you guessed that the car would cause the much, much heavier bus to flip over spectacularly, then welcome to the world of Fast Five.

Have car, will travel

The fifth Fast and Furious installment picks up exactly where the last movie ended, with Dominic Toretto (Vin Diesel) on his way to prison while O’Conner and Dom’s sister Mia (Jordana Brewster) lead an assault to free him. After the rescue, O’Conner and Mia, both very much in love, head to Rio to rendezvous with Dom, and end up staying with Vince (Matt Schulze), the stereotypical “angry guy” from the first film. He has a job for them, and when Dom shows up, they all head off to steal cars. Off a train.

Things go bad quickly, and after a physics-be-damned style escape, the group is being hunted by the resident kingpin of Rio, Herman Reyes (Joaquin de Almeida), because of something they accidently took with them. Mia soon admits that she is preggers, which inspires Dom and O’Conner to eschew running from the forces closing in on them, and instead pull off one massive job that will set them all up for life and cripple Reyes’ operation. But to pull it off, they need a team.

The team is a collection of the Fast and Furious all-stars throughout the years. From the second film 2 Fast 2 Furious, Roman Pearce (Tyrese Gibson) and Tej Parker (Chris “Ludacris” Bridges) return. From the third film The Fast And the Furious: Tokyo Drift, Han Lue (Sung Kang) appears. From the previous film, Fast & Furious, Tego Leo (Tego Calderon), Rico Santos (Don Omar) and Gisele Harabo (Gal Gadot) fill out the crew.

Unbeknownst to the super friends, an elite DSS agent, Luke Hobbs (Dwayne Johnson) is on their trail, and with the help of local Rio officer Elena Neves (Elsa Pataky) and a group of highly trained agents, he sees it as his duty to bring them all to justice.

Reviews

After taking a new course with Tokyo Drift, and failing to impress with Fast & Furious, filmmaker Justin Lin has well and truly ignited the series with exciting set pieces and lashings of well placed humour. He still struggles to effectively call the shots when exposition (or mere conversation) is required; however he clearly has a handle on shooting the various fast-paced action scenes. There is a spectacular heist of luxury cars aboard a train (with a marvellously ridiculous denouement); a Bourne-esque free-running chase along roof tops; and a bruising hand-to-hand melee between The Rock and big Vin.

Of the major stars, it’s Fast newcomer Dwayne Johnson who shines the brightest. His epic bad-ass cop makes Toretto look like an absolute sissy, which is no easy feat. He also boasts many of the film’s greatest lines and comes away looking the least corny – something Diesel and Walker are evidently use to by now. The chalk and cheese pairing of the two wannabe action stars brings with it a decent slab of shonky acting. Chrome-domed Diesel is especially silly and unconvincing when required to open his mouth, but he looks good behind the wheel of a car and adds plenty to the unapologetic macho atmosphere.

Conclusion
Fast Five isn’t high art, nor is it trying to be. There is so much testosterone in this movie that even women in the audience may leave with a mustache. It fulfills the traditional summer movie pre-requisites and has a ton of explosions, gun battles and fistfights, just like you would expect. In that sense, it is a very, very traditional film. If you are looking for that one unique snowflake in the snow storm of summer movies, this aint it.

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